This is a silly price for a 40th, particularly as all the bits and pieces aren't with it...
I rejected the first one I had because the top E string kept falling off the fingerboard and seemed out of alignment. I was then offered someone else's low number, which again was a poor player. I eventually had number 38 (or was it 36) from the second batch, and, on removing the CE sticker from the neck plate, discovered that the "gold plating" came off with it.
I also discovered that the lower edge of the scratchplate - which couldn't be seen without looking for it - was slightly melted as if by a soldering iron. I was aware that the LED side marker dots had been installed in the UK, so I investigated, and on removing the scratchplate, discovered splinters in the woodwork where holes had been drilled (apparently with a blunt drill) to connect the LEDs to the battery. Moreover, where a circular saw had been used along the lower side of the neck to install the lights, the resulting fillet was refinished in a lacquer which was not the same as the original...
So I jumped up and down, and was sent the neck plate and complete-with-electrics scratchplate of number 40 in exchange for mine... so...
Further digging around discovered the reason for the string alignment problem. Apparently, at the last moment - and at the suggestion of Chris Kinman whose pickups had been used, Hank changed his mind about the bridge opting to discard the narrower two post bridge with solid saddles, for the wider spaced vintage variety. Unfortunately, by this time, the necks (with the narrower fingerboard had been made and finished... so that's how they went out.
The neck was like rubber on these guitars and I had to adjust the truss rod according to season.
It made a great modern Hank sound - remember my Waffles sound file? (
http://shadowmusic.bdme.co.uk/viewtopic.php?f=25&t=125&p=336&hilit=waffles#p336) but was not a good instrument in my opinion...
Tin hat on...
