Hints and tips on getting the sound you want.
Includes anything to do with Fender, Burns and other guitars; playing techniques;
also amps, effects units, recording equipment and any other musical accessories.
by Iain Purdon » 17 Nov 2012, 06:19
Question here. At what stage did they decide to get Jim Burns to design a Strat copy that would stay in tune? Because if it was while the Fenders were red, these were replaced by the white ones for a year or so. These must have been no better. Suggests to me that the faulty batch theory doesn't cover it.
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by JimN » 17 Nov 2012, 09:55
Iain_P wrote:Question here. At what stage did they decide to get Jim Burns to design a Strat copy that would stay in tune? Because if it was while the Fenders were red, these were replaced by the white ones for a year or so. These must have been no better. Suggests to me that the faulty batch theory doesn't cover it.
Give that man a large coconut.
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by Didier » 17 Nov 2012, 09:58
Iain_P wrote:Question here. At what stage did they decide to get Jim Burns to design a Strat copy that would stay in tune? Because if it was while the Fenders were red, these were replaced by the white ones for a year or so. These must have been no better. Suggests to me that the faulty batch theory doesn't cover it.
In fact they were pushed to promote the "Buy British" slogan of this time...
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by Paul Childs » 17 Nov 2012, 12:03
If the bridge saddles were in a neat straight line they wouldn't have left the Fender factory like it so why did they alter them if not many people knew about setups back then? Would have been best to leave them alone.
Bruce used to worry about his Strat going out of tune but Hanks would have been more out of tune with constant use of the tremelo arm.
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by cockroach » 17 Nov 2012, 15:15
Iain,
You may be right!
My bandmate had a 1962 Rosewood fingerboard Strat (Fiesta Red too!)which we both used and shared for playing lead in the band (along with my 1963 Esquire) in 1970/1 or so...the only tuning problems were due to the daft super light gauge strings which everyone used back then...

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cockroach
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by Hank2k » 17 Nov 2012, 16:07
I've only ever seen one pic of the white strats in the burns book, has anyone got any other pics of them?
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by Paul Childs » 17 Nov 2012, 17:06
There has never been any mention about Jet or Licorice having tuning or intonation problems with the Precision basses?
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by RayL » 17 Nov 2012, 19:11
In the preamble to the Burns Marvin section of that very-valuable radio program It Was In Tune When I Bought It, Hank mentions that Bruce's Strat had three new necks in an attempt to cure the tuning problem.
Ray
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by Iain Purdon » 18 Nov 2012, 00:48
Paul Childs wrote:There has never been any mention about Jet or Licorice having tuning or intonation problems with the Precision basses?
I assume that's because the P-basses were fine

Iain Purdon
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Iain Purdon
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by donna plasky » 18 Nov 2012, 01:46
This photo is from Mark Cunningham's "Bruce Welch Tribute" facebook page. I liked it so much I thought I'd post a copy, since we were talking about Bruce's guitars, etc.
Kind regards,
Donna
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