BrianD wrote:I am intrigued by the reference to pre-'47 built J-200s as having rosewood back and sides. I note on Guitar Village's web-site the product description for the Gibson SJ-200 TV True Vintage
http://www.guitar-village.co.uk/product ... SJ2TPVSGH1)%2c+New%2c+Vintage+Sunburst%2c+Inc.+Case which states this model is based on Gibson’s original Super Jumbo as it first appeared in 1937 but then says it has •AAA flame maple back and sides.
I also note that this model sells for £3449. On the same site the "modern version" - Gibson J-200 Standard (SJ22VSGH1), New, Vintage Sunburst, Inc. Case
http://www.guitar-village.co.uk/product ... (SJ22VSGH1)%2c+New%2c+Vintage+Sunburst%2c+Inc.+Case is only £2699. Note that this latter less expensive model includes •Fishman Ellipse Aura Pickup System whereas the more expensive "True Vintage" model has no pick-up system. Has anyone ever compared these to see what the justification is for the £1000 difference between these two models?
Brian
Not a lot of obvious difference except for the pickup and the wood quality. The main (but not sole) visual distinction is between the Grovers on the "standard" model and the Gibson-branded copies of Klusons on the vintage-correct model. There is also extra inlay-work on the dearer guitar, especially down the bookmatch joint on the back. I saw one at NAMM in January. I can't say that I felt any great desire for the True Vintage model, though the Klusons do look better, in the same way as they look better than Grovers on the ES-335.
There may be some detail difference on the bridge. If I recall correctly, some moustache bridges have more MOP.
I'll.... go and check...
The "cheaper" model has two areas of MOP. The more expensive one has four, and the bridge pins (and holes) are laid out slightly differently.
Incidentally, I don't know about this "wine red" Cliff Richard J200 story. The sunburst one was used by (and is pictured in the hands of) Bruce many times, both in monochrome and in colour. It was also seen in the possession of Cliff himself, notably in the 1966 Billy Graham period. There is no pictorial record of a wine red Gibson, though the Shadows did also have access to a blond model. The story must have been jumbled somewhere.
JN