Hi Ian, I made some patches using some of the ones that aren't on the G3x, one of them is the Lo Fi delay, another is the Carbon Delay and there's the Dual Digital too. I am able to hear that 'chatter' that was part of the Meazzi sound and with careful tweaking have got those patches that I did on the Zoom G3 to sound even better. It's to do with the tone of the echo repeats, not the original guitar sound.
I picked up the Zoom MS100BT yesterday and I had a couple of hours with it last night, programming those Shadows patches along wth my other sounds that I use in the shows, such as a Gary Moore 'Parisienne Walkways' tone amongst them. The MS100BT has the same stuff as the G3 and because it's equipped with BLUE TOOTH you can get the Zoom App for that model and download extra effects, some new, but more importantly the ones that are on the MS-70CDR that I mentioned above. For me it is perfect, as I have everything that I need in a tiny pedal. I will be working on it today and when I'm satisfied that I have got it right, my G3x and MS-70CDR could well be up for grabs with my patches installed.
Ian Miller wrote:Hi Dave,
As you may remember, you very kindly sent me your G3 patches so I had them to hand when I got my G3. Anyway a couple of weeks ago I trotted off to GAK in Brighton to buy the G3, and came out with MS-70 CDR instead!. And I am so glad I did, it is absolutely brilliant!
So far I have not fully explored all of the delay modules, but find I am favouring the 'Tape Echo' at the moment. I would be interested to learn which ones you like?
Ian