Iain Purdon wrote:EJK wrote:Whilst a few seconds of The Savage was shown last week it would have been better to have seen most of it rather than the clip from Summer Holiday singing Bachelor Boy as The Savage was more representative of the band especially with the original line up.
I know what you’re saying but I can’t agree with it! The original line-up was all over the programme. Apart from Brian, its successors were under-represented.
My query re the film footage was that in many other subjects, film out-takes supposedly destroyed/discarded come to the surface many years later.
The disappointing aspect of the Cliff Richard film The Young Ones was that The Shadows were hardly in it as Bruce Welch alluded to in his autobiography. When I and some pals who played in bands, as I did at time of its release, (we were in our teens), we thought that it was too sugary, more suited for our parents generation rather than for us teenagers. The consensus, not only by us but by plenty of others in our age group, was that the only decent bit of it was at the end with half of The Savage and We Say Yeah. Bear in mind that at that time The Shadows singles, Apache, Man of Mystery/The Stranger, FBI, The Frightened City, Kon-Tiki and The Savage plus the EP with Shotgun etc. and the first LP were all harder edged stuff as Jet Harris said when he described his playing as “giving it a bit of welly”. Whilst the Bachelor Boy clip from Summer Holiday was all very well, that was not what the band was about. Round and Round would have been more appropriate for inclusion.
Over that early period there was next to nothing highlighted in the programme about the style of Jet Harris and Tony Meehan who contributed greatly to “the sound”. The later period with the equally great Brian Bennett and John Rostill line up was glossed over, for example nothing about one of their classic singles, The Rise and Fall of Flingel Bunt let alone the successful LPs they made until the end in 1968.
We fans are au fait with it all, but for those not and viewing the programme, of which there would be a good number, bearing in mind the virus situation with people tied to staying in and looking at more TV, they would get the wrong impression of The Shadows. In these early years their influence to the music in the UK cannot be underestimated but in quite a few quarters is conveniently ignored as according to them British Rock music started in 1963.
It is all subjective of course and I suppose it depends of when you first came under The Shadows spell. For us in at the beginning it was fantastic!